The Doctor's House

THE DOCTOR'S HOUSE opens with a woman exploring her own brother's sexual appetites, uncovering his myriad betrayals of his wives and lovers, and of her. Nina, a reclusive copy editor, should have better things to do than track her brother's escapades, but since her husband's death she has become solitary and defensive, and just as obsessive as Andrew.
As the novel unfolds, the story of Nina and Andrew is retold by their mother, who at once illuminates and undermines her daughter's account. Finally, the brother speaks for himself, and the deeper Beattie takes us into Andrew's mind, the more his perspective suggests that Nina might be both less innocent and less detached than she maintains. In the guise of exploring their memories of the past, Nina and her mother repress them.

San Francisco Chronicle Ann Beattie is an expert at probing the essential mysteries of the human character.

Los Angeles Times Ann Beattie's prose is gentle, spare, and incisive....She has loosed a monster in The Doctor's House.

Newsday Authors as varied as Russell Banks and Sue Miller have taken the measure of dysfunctional families in recent years. But not since Albee and Pinter has a domestic scene been subjected to such ferocious, pitiless examination. Beattie makes us read on nonetheless, avid to hear the voices cry out their bitter truths.

Lisa Shea Elle Psychologically charged...The adroit prose in this novel is signature Beattie.