7 Days - Couverture souple

Though the damaged series detective is a familiar figure in crime fiction, Meyer is far too good a writer for this to matter. Griessel is very much his own man, juggling the demands of his career with those of his equally testing private life. The narrative is well-plotted, and the novel brings to life the rich and volatile diversity of contemporary South Africa. There's nothing flashy here, just a good story, very well told. Would there were more like it. (Spectator)

The reader is plunged into a maelstrom of murder investigation, political corruption, racial tension and the clock is ticking for that all-too-human cop Benny Griessel who is also fighting his battle with alcohol on an emotional second front this time . . . Deon Meyer is a top notch plotter and has created one of the best ensemble (and multi-racial) casts of any modern police procedural series. (Shots magazine)

[Meyer] is simply too good a writer to produce anything by numbers. In fact, if he had written only books as concise as this - rather than, for instance, the massive, socially committed TRACKERS - he would still maintain his gleaming reputation . . . There is no gainsaying the sheer momentum of the storytelling. And there is a key thing to praise in 7 DAYS (translated from the Afrikaans by KL Seegers): how does Meyer manage to make the hoariest cliché of crime fiction - the alcoholic copper - read as if we've never encountered this device?

Even if Meyer chose not to write anything more on his customary scale, most of his fans would be perfectly happy with shorter books as focused and persuasive as 7 DAYS.

(Independent)

Deon Meyer's gritty crime novels [are] part police procedural, part political thriller and have, in Benny Griessel, one of the most appealing and humane of detectives . . . It's an insight into how much of South African business works, a tale of shady foreigners, super-rich enablers and politicians translating their party connections into private wealth. But in the same way that he creates Griessel as much more than your cliched drunk detective with a good heart, Meyer paints the corrupt with a delicate brush . . . What makes Meyer such a national treasure - and as good as anyone in the world - is that even if you have no knowledge or interest in South Africa's history or present, his books are compelling page-turners. Politics and race are just part of the intricately crafted superstructure bolted onto the rock-solid chassis of a top-quality crime thriller, driven by a writer with deceptive skill. (Books Live (South Africa))

Sleekly done crime fiction layered with the cultural complexities of the new South Africa. (Booklist)

Superior prose and characterization . . . Meyer balances the personal and professional adroitly, with a solution reminiscent of Peter Lovesey at his twistiest. (Publishers Weekly)

Deon Meyer has put South African crime fiction on the map . . . 7 DAYS is a clever blend of an Agatha Christie detective novel and a Frederick Forsyth thriller, with the carefully dropped clues [which I missed] and all the explicit detail of a gripping thriller . . . 7 DAYS is one of the best books I have read this year, because as well as the tension and thrills you learn so much about a very complex country. What makes a pleasant change from some authors from the Northern Hemisphere is that Meyer very rarely moralises, he just tells it like it is and leaves his readers to make up their own minds. Deon Meyer is an author on my must read list, and 7 DAYS keeps up the standard set in his previous books. (Crime Scraps Review Blog)

How fulfilling the rewards are for those seeking crime fiction with real texture and intelligence . . . The author presents an unsparing picture of social divisions in post-apartheid South Africa . . . TRACKERS is a sprawling, invigorating and socially committed crime novel. (Independent)

An ambitious, multi-threaded tale . . . comprehensively pulling the reader into the melee of modern South Africa . . . this is a book that tells a cracking story and captures the criminal kaleidoscope of a nation. (Times Literary Supplement)

Meyer is the leading chronicler of South Africa, and his latest novel shows off his technical skill . . . a dazzling performance. (Sunday Times Books of the Year 2011)

I'll shoot a policeman every day until you arrest the murderer of Hanneke Sloet.

Shortly after the South African Police Services receive this threatening email, a policeman is shot by a sniper and recovering alcoholic Benny Griessel is ordered to reopen the Sloet case.

Hanneke Sloet was a sensual and ambitious lawyer. At the time of her murder she was working on one of the biggest Black Empowerment deals in South African history. She was found dead in her luxury Cape Town apartment, a single stab wound to her chest.

After forty days, the trail has gone cold. The first investigation could find no motive and no leads, only a set of nude photographs, an ex-boyfriend with a rock-solid alibi, conniving attorneys and financial double-dealing.

Benny has to deal with immense pressure from his superiors, the media and the unfathomable sniper, whose emails keep coming and who won't stop shooting. And then there's Benny's love interest, former pop sensation Alexa Barnard, who is also trying to rebuild her life after the ravages of alcohol, and Benny has to make sure she stays sober for her comeback.

At the same time, Benny's feisty colleague, Captain Mbali Kaleni, is hunting the shooter, trying desperately to find what connects him to Hanneke Sloet.

Both Benny and Mbali are about to endure seven days of hell.