Cobra - Couverture rigide

Praise for Deon Meyer (. . .)

Crime fiction with real texture and intelligence. (Independent)

The narrative is well-plotted, and the novel brings to life the rich and volatile diversity of contemporary South Africa. There's nothing flashy here, just a good story, very well told. Would there were more like it. (Spectator)

Benny is the central character in South African writer Deon Meyer's series of novels, set in Capetown, that grow richer and more sophisticated with each new book. This progression makes COBRA the most dazzling of the bunch. (Toronto Star)

Deon Meyer is a top notch plotter and has created one of the best ensemble (and multi-racial) casts of any modern police procedural series. (Shots magazine)

Tells a cracking story and captures the criminal kaleidoscope of a nation. (Times Literary Supplement)

Deon Meyer's gritty crime novels [are] part police procedural, part political thriller . . . What makes Meyer such a national treasure - and as good as anyone in the world - is that even if you have no knowledge or interest in South Africa's history or present, his books are compelling page-turners. Politics and race are just part of the intricately crafted superstructure bolted onto the rock-solid chassis of a top-quality crime thriller, driven by a writer with deceptive skill. (Books Live (South Africa))

Relentlessly suspenseful, topical, hard-hitting and richly rewarding, COBRA is a superb novel from an author who is acclaimed around the world as a brilliant voice in crime fiction. (Tangled Web)

The plot clicks along like a machine... The set pieces, such as a complex train-hopping action sequence, are slickly executed. This is an author in full charge of his technique, but he burnishes the mechanics of the story with delicious Kaapse characters and richly idiomatic dialogue. The feral pickpocket Tyrone Kleinbooi is one of Meyer's best characters ever, sly and quick with a strong sense of thieves' honour. (Sunday Times South Africa)

A novel that is never less than readable. The South African setting is a major part of the appeal. Best of all, however, is Bennie himself, a humane recovering alcoholic riddled with self-doubt, and his interaction with his family, friends and colleagues. Long may he survive (Andrew Taylor, Spectator)