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Description du livre Etat : New. N° de réf. du vendeur 4JSHAO004AD9
Description du livre Etat : New. N° de réf. du vendeur ABLIING23Feb2215580248525
Description du livre Etat : New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book. N° de réf. du vendeur ria9780521282451_lsuk
Description du livre Etat : new. Questo è un articolo print on demand. N° de réf. du vendeur b888185d471802144edb9e25d5e62df9
Description du livre Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9780521282451
Description du livre Etat : New. N° de réf. du vendeur I-9780521282451
Description du livre Paperback. Etat : Brand New. 223 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __0521282454
Description du livre Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This is a full-length study of Bertolt Brecht s day-to-day work as a theatre director. Professor Fuegi has researched how Brecht worked and reacted with actors how his productions were actually put together in rehearsal. This book is the result of interview. N° de réf. du vendeur 446930749
Description du livre Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This is the first full-length study in any language of Bertolt Brecht's day-to-day work as a theatre director. Professor Fuegi has researched his subject extensively over many years, and this book is the result of interviews with Brecht's closest associates (including Helene Weigel, Angelika Hurwicz, Elisabeth Hauptmann and Hans Bunge), inspection of the unpublished typescripts recording several years of Brecht rehearsals at the Berlin Ensemble, and consultation of archival materials in Moscow, Berlin and Harvard University. Although Brecht is acknowledged worldwide as having changed our whole conception of playwriting, acting and directing, virtually nothing has been previously published which tells how he worked and reacted with actors, and how his productions were actually put together in rehearsal. John Fuegi now tells the story, evoking the excitement and controversy which surrounded Brecht's work on the stage. He examines the way Brecht applied his manic but brilliant character, in both personal and professional life (though these cannot easily be separated), in order to create the tension and confusion, contradiction and chaos, from which his best productions emerged. He shows how the plays must be seen in the light of their evolution on the stage through innumerable arduous rehearsals, themselves conditioned by the intense magnetism, spontaneity and unpredictability of Brecht's personality. Most importantly, the book charts the evolution of Brecht's own dramatic theory from his early rejection of Stanislavskian realism and his demands for emotional coolness from the spectator to his later acceptance of the power of theatre to involve, even to move, the audience. The book goesbehind the scenes to look at the playwright's negotiation of contracts for his productions, commercial agreements which were often highly beneficial to himself but markedly less so to his collaborators such as Kurt Weill, Ruth Berlau and Elisabeth Hauptmann, and it talks fran. N° de réf. du vendeur 9780521282451