Joseph Andrews - Couverture souple

Joseph Andrews, or The History of the Adventures of Joseph Andrews and of his Friend Mr. Abraham Adams, was the first published full-length novel of the English author and magistrate Henry Fielding, and indeed among the first novels in the English language. Published in 1742 and defined by Fielding as a "comic epic poem in prose", it is the story of a good-natured footman's adventures on the road home from London with his friend and mentor, the absent-minded parson Abraham Adams. The novel represents the coming together[citation needed] of the two competing aesthetics of eighteenth-century literature: the mock-heroic and neoclassical (and, by extension, aristocratic) approach of Augustans such as Alexander Pope and Jonathan Swift; and the popular, domestic prose fiction of novelists such as Daniel Defoe and Samuel Richardson. The novel draws on a variety of inspirations. Written "in imitation of the manner of Cervantes, the author of Don Quixote" (see title page on right), the work owes much of its humour to the techniques developed by Cervantes, and its subject-matter to the seemingly loose arrangement of events, digressions and lower-class characters to the genre of writing known as picaresque. In deference to the literary tastes and recurring tropes of the period, it relies on bawdy humour, an impending marriage and a mystery surrounding unknown parentage, but conversely is rich in philosophical digressions, classical erudition and social purpose.

‘Joseph Andrews’ was written by Henry Fielding (1707 - 1754). Fielding spent his early education at Eton, after which he befriended many leading British politicians and finished off his education in Europe, at the university of Leiden. Fielding is best known for his political and cultural satires, producing articles for Tory periodicals as well as larger works. He also worked as a magistrate and helped establish London’s first police force, The Bow Street Runners in 1749. This work contains an introduction to the text by George Sainsbury, as well as an additional note to the general introduction. It also encompasses an author biography, briefly detailing Fielding’s life and work. It is split into four main sections and twenty six individual chapters.