The Enchantress of Florence - Couverture souple

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In the day’s last light the glowing lake

In the day’s last light the glowing lake below the palace-city looked like a sea of molten gold. A traveller coming this way at sunset — this traveller, coming this way, now, along the lakeshore road — might believe himself to be approaching the throne of a monarch so fabulously wealthy that he could allow a portion of his treasure to be poured into a giant hollow in the earth to dazzle and awe his guests. And as big as the lake of gold was, it must be only a drop drawn from the sea of the larger fortune — the traveller’s imagination could not begin to grasp the size of that mother-ocean! Nor were there guards at the golden water’s edge; was the king so generous, then, that he allowed all his subjects, and perhaps even strangers and visitors like the traveller himself, without hindrance to draw up liquid bounty from the lake? That would indeed be a prince among men, a veritable Prester John, whose lost kingdom of song and fable contained impossible wonders. Perhaps (the traveller surmised) the fountain of eternal youth lay within the city walls — perhaps even the legendary doorway to Paradise on Earth was somewhere close at hand? But then the sun fell below the horizon, the gold sank beneath the water’s surface, and was lost. Mermaids and serpents would guard it until the return of daylight. Until then, water itself would be the only treasure on offer, a gift the thirsty traveller gratefully accepted.

The stranger rode in a bullock-cart, but instead of being seated on the rough cushions therein he stood up like a god, holding on to the rail of the cart’s latticework wooden frame with one insouciant hand. A bullock-cart ride was far from smooth, the two-wheeled cart tossing and jerking to the rhythm of the animal’s hoofs, and subject, too, to the vagaries of the highway beneath its wheels. A standing man might easily fall and break his neck. Nevertheless the traveller stood, looking careless and content. The driver had long ago given up shouting at him, at first taking the foreigner for a fool — if he wanted to die on the road, let him do so, for no man in this country would be sorry! Quickly, however, the driver’s scorn had given way to a grudging admiration. The man might indeed be foolish, one could go so far as to say that he had a fool’s overly pretty face and wore a fool’s unsuitable clothes — a coat of coloured leather lozenges, in such heat! — but his balance was immaculate, to be wondered at. The bullock plodded forward, the cart’s wheels hit potholes and rocks, yet the standing man barely swayed, and managed, somehow, to be graceful. A graceful fool, the driver thought, or perhaps no fool at all. Perhaps someone to be reckoned with. If he had a fault, it was that of ostentation, of seeking to be not only himself but a performance of himself as well, and, the driver thought, around here everybody is a little bit that way too, so maybe this man is not so foreign to us after all. When the passenger mentioned his thirst the driver found himself going to the water’s edge to fetch the fellow a drink in a cup made of a hollowed and varnished gourd, and holding it up for the stranger to take, for all the world as if he were an aristocrat worthy of service.

‘You just stand there like a grandee and I jump and scurry at your bidding,’ the driver said, frowning. ‘I don’t know why I’m treating you so well. Who gave you the right to command me? What are you, anyway? Not a nobleman, that’s for sure, or you wouldn’t be in this cart. And yet you have airs about you. So you’re probably some kind of a rogue.’ The other drank deeply from the gourd. The water ran down from the edges of his mouth and hung on his shaven chin like a liquid beard. At length he handed back the empty gourd, gave a sigh of satisfaction, and wiped the beard away. ‘What am I?’ he said, as if speaking to himself, but using the driver’s own language. ‘I’m a man with a secret, that’s what — a secret which only the emperor’s ears may hear.’ The driver felt reassured: the fellow was a fool after all. There was no need to treat him with respect. ‘Keep your secret,’ he said. ‘Secrets are for children, and spies.’ The stranger got down from the cart outside the caravanserai, where all journeys ended and began. He was surprisingly tall and carried a carpetbag. ‘And for sorcerers,’ he told the driver of the bullock-cart. ‘And for lovers too. And kings.’

In the caravanserai all was bustle and hum. Animals were cared for, horses, camels, bullocks, asses, goats, while other, untameable animals ran wild: screechy monkeys, dogs that were no man’s pets. Shrieking parrots exploded like green fireworks in the sky. Blacksmiths were at work, and carpenters, and in chandleries on all four sides of the enormous square men planned their journeys, stocking up on groceries, candles, oil, soap and ropes. Turbaned coolies in red shirts and dhotis ran ceaselessly hither and yon with bundles of improbable size and weight upon their heads. There was, in general, much loading and unloading of goods. Beds for the night were to be cheaply had here, wood-frame rope beds covered with spiky horsehair mattresses, standing in military ranks upon the roofs of the single-storey buildings surrounding the enormous courtyard of the caravanserai, beds where a man might lie and look up at the heavens and imagine himself divine. Beyond, to the west, lay the murmuring camps of the emperor’s regiments, lately returned from the wars. The army was not permitted to enter the zone of the palaces but had to stay here at the foot of the royal hill. An unemployed army, recently home from battle, was to be treated with caution. The stranger thought of ancient Rome. An emperor trusted no soldiers except his praetorian guard. The traveller knew that the question of trust was one he would have to answer convincingly. If he did not he would quickly die.

Not far from the caravanserai, a tower studded with elephant tusks marked the way to the palace gate. All elephants belonged to the emperor, and by spiking a tower with their teeth he was demonstrating his power. Beware! the tower said. You are entering the realm of the Elephant King, a sovereign so rich in pachyderms that he can waste the gnashers of a thousand of the beasts just to decorate me. In the tower’s display of might the traveller recognized the same quality of flamboyance that burned upon his own forehead like a flame, or a mark of the Devil; but the maker of the tower had transformed into strength that quality which, in the traveller, was often seen as a weakness. Is power the only justification for an extrovert personality? the traveller asked himself, and could not answer, but found himself hoping that beauty might be another such excuse, for he was certainly beautiful, and knew that his looks had a power of their own.

Beyond the tower of the teeth stood a great well and above it a mass of incomprehensibly complex waterworks machinery that served the many-cupolaed palace on the hill. Without water we are nothing, the traveller thought. Even an emperor, denied water, would swiftly turn to dust. Water is the real monarch and we are all its slaves. Once at home in Florence he had met a man who could make water disappear. The conjuror filled a jug to the brim, muttered magic words, turned the jug over and, instead of liquid, fabric spilled forth, a torrent of coloured silken scarves. It was a trick, of course, and before that day was done he, the traveller, had coaxed the fellow’s secret out of him, and had hidden it among his own mysteries. He was a man of many secrets, but only one was fit for a king.

The road to the city wall rose quickly up the hillside and as he rose with it he saw the size of the place at which he had arrived. Plainly it was one of the grand cities of the world, larger, it seemed to his eye, than Florence or Venice or Rome, larger than any town the traveller had ever seen. He had visited London once; it too was a lesser metropolis than this. As the light failed the city seemed to grow. Dense neighbourhoods huddled outside the walls, muezzins called from their minarets, and in the distance he could see the lights of large estates. Fires began to burn in the twilight, like warnings. From the black bowl of the sky came the answering fires of the stars. As if the earth and the heavens were armies preparing for battle, he thought. As if their encampments lie quiet at night and await the war of the day to come. And in all these warrens of streets and in all those houses of the mighty, beyond, on the plains, there was not one man who had heard his name, not one who would readily believe the tale he had to tell. Yet he had to tell it. He had crossed the world to do so, and he would.

He walked with long strides and attracted many curious glances, on account of his yellow hair as well as his height, his long and admittedly dirty yellow hair flowing down around his face like the golden water of the lake. The path sloped upwards past the tower of the teeth towards a stone gate upon which two elephants in bas-relief stood facing each other. Through this gate, which was open, came the noises of human beings at play, eating, drinking, carousing. There were soldiers on duty at the Hatyapul gate but their stances were relaxed. The real barriers lay ahead. This was a public place, a place for meetings, purchases and pleasure. Men hurried past the traveller, driven by hungers and thirsts. On both sides of the flagstoned road between the outer gate and the inner were hostelries, saloons, food stalls, and hawkers of all kinds. Here was the eternal business of buying and being bought. Cloths, utensils, baubles, weapons, rum. The main market lay beyond the city’s lesser, southern gate. City dwellers shopped there and avoided this place, which was for ignora...

“It’s an elaborate, complicated read, intensely reflective of the author’s worldliness, intelligence, and partiality to the fantastical. . . . Entertainment of the highest literary order.” —Booklist

“This brilliant, fascinating, generous novel swarms with gorgeous young women both historical and imagined, beautiful queens and irresistible enchantresses . . . Rushdie leaves ranting to the fanatics who fear him. . . . [and] mak[es] us realists inhabit, for the span of our reading, the realm of Imagination, which is controlled by but not limited to observation of fact. . . . It is a wonderful tale, full of follies and enchantments. East meets west with a clash of cymbals and a burst of fireworks.” —Ursula K Le Guin, The Guardian

“What Rushdie achieves so marvellously is to ensure that the evocation of the ephemeral retains the force of the tangible; this is the ‘magical task of metamorphosis’ that he believes to be central to the act of writing. . . . The Enchantress of Florence is, in the best sense of the word, childish fiction for adults: a welcome splash of bright colour; Rushdie, a virtuoso in poster-paint.” —National Post

“Rapturously poetic . . .” —Kirkus Reviews