Five Star Billionaire - Couverture souple

Aw / FIVE STAR BILLIONAIRE

1.

Move to Where the Money Is

出去

There was a boy at the counter waiting for his coffee, nodding to the music. Phoebe had noticed him as soon as he walked through the door, his walk so confident, soft yet bouncy. He must have grown up walking on carpet. He ordered two lattes and a green-tea muffin and paid with a silver ICBC card that he slipped out of a wallet covered in gray-and-black chessboard squares. He was only a couple of years younger than Phoebe, maybe twenty-two or twenty-three, but already he had a nice car, a silver-blue hatchback she had seen earlier when she was crossing the street and he nearly ran her over. It was strange how Phoebe noticed such things nowadays, as swift and easy as breathing. She wondered when she had picked up this habit. She had not always been like this.

Outside, the branches of the plane trees strained the bright mid-autumn sunlight, their shadows casting a pretty pattern on the pavement. There was a light wind too, which made the leaves dance.

“You like this music, huh?” Phoebe said as she reached across him for some packets of sugar.

His coffees arrived. “It’s bossa nova,” he said, as if it were an explanation, only she didn’t understand it.

“Ei, I also like Spanish music!”

“Huh?” he muttered as he balanced his tray. “It’s Brazilian.” He didn’t even look at her, though she was glad he didn’t, because if he had it would have been a you-are-nothing look, the kind of quick glance she had become used to since arriving in Shanghai, people from high up looking down on her.

Brazil and Spain were nearly the same, anyway.

They were in a Western-style coffee bar just off Huaihai Lu. The streets were busy; it was a Saturday. But the week no longer divided neatly into weekend and weekday for Phoebe; it had ceased to do so ever since she arrived in Shanghai a few weeks prior to this. Every day tumbled into the next without meaning, as they had done for too long now. She didn’t even know what she was doing in this part of town—she couldn’t afford anything in the shops, and her Italian coffee cost more than the shirt she was wearing. It was a big mistake to have come here. Her plan was so stupid; what did she think she would accomplish? Maybe she would have to reconsider everything.

Phoebe Chen Aiping, why are you so afraid all the time? Do not be afraid! Failure is not acceptable! You must raise yourself up and raise up your entire family.

She had started to keep a diary. Every day she would write down her darkest fears and craziest ambitions. It was a technique she’d learned from a self-help master one day in Guangzhou as she waited in a noodle shop, killing time after she had been to the Human Resources Market. A small TV had been set on top of the glass counter next to jars of White Rabbit sweets, but at first she did not pay attention; she thought it was only the news. Then she realized that it was a DVD of an inspirational life teacher, a woman who talked about how she had turned her life around and now wanted to show the rest of us how we, too, could transform our lowly invisible existence into a life of eternal happiness and success. Phoebe liked the way the woman looked straight at her, holding her gaze so steadily that Phoebe felt embarrassed, shamed by her own failure, the complete lack of even the tiniest achievement in her life. The woman had shimmering lacquered hair that was classy but not old-fashioned. She showed how a mature woman, too, could look beautiful and successful even when no longer in her first springtime, as she put it herself, laughing. She had so many wise things to say, so many clever sayings and details on how to be successful. If only Phoebe had a pen and paper, she would have written down every single one, because now she cannot remember much except the feeling of courage that the woman had given her, words about not being afraid of being on one’s own, far from home. It was as if the woman had looked into Phoebe’s head and listened to all the anxieties that were spinning around inside, as if she had been next to Phoebe as she lay awake at night wondering how she was going to face the next day. Phoebe felt a release, like someone lifting a great mountain of rocks from her shoulders, someone saying, You are not alone, I understand your troubles, I understand your loneliness, I am also like you. And Phoebe thought, The moment I have some money, the first thing I am going to buy is your book. I would not even buy an LV handbag or a new HTC smartphone; I am going to buy your words of wisdom and study them the way some people study the Bible.

The book was called Secrets of a Five Star Billionaire. This is something Phoebe would never forget.

One tip that did stick in her mind was the diary, which the woman did not call a diary but a “Journal of Your Secret Self,” in which you write down all your black terrors, everything that makes you fearful and weak, alongside everything you dream of. It was important to have more positive dreams than burdensome fears. Once you write something in this book, it cannot harm you anymore, because the fears are conquered by the dreams on the opposite page. So, when you are successful, you can read this journal one last time before you discard it forever, and you will smile to see how afraid and underdeveloped you were, because you have come so far. Then you will throw this book away into the Huangpu River and your past self will disappear, leaving only the glorious reborn product of your dreams.

She started the journal six months ago, but still her dreams had not canceled out her fears. It would happen soon. She knew it would.

I must not let this city crush me down.

Phoebe looked around the café. The chairs were mustard-yellow and gray, the walls unpainted concrete, as if the work had not yet been finished, but she knew that it was meant to look like this; it was considered fashionable. On the terrace outside, there were foreigners sitting with their faces turned to the sun—they did not mind their skin turning to leather. Someone got up to leave and suddenly there was a table free next to the Brazilian music lover. He was with a girl. Maybe it was his sister and not a girlfriend.

Phoebe sat down next to them and turned her body away slightly to show she was not interested in what they were doing. But in the reflection in the window—the sun was shining brightly that day; it was almost Mid-autumn Festival, and the weather was clear, golden, perfect for dreaming—Phoebe could see them quite clearly. The girl was bathed in crystal light as if on a stage, and the boy was cut in half by a slanting line of darkness. Every time he leaned forward, he came into the light. His skin was like candle wax.

As the girl bent over her magazine, Phoebe could see that she was definitely a girlfriend, not a sister. Her hair fell over her face, so Phoebe could not tell if she was pretty, but she sat the way a pretty person would. Her dress was a big black shirt with loads of words printed all over it like graffiti, no-meaning sentences such as peace $$$ € ♥ ♥ paris, and honestly it looked horrible and made her body look formless as a ghost, but it was expensive, anyone could see that. The handbag on the floor was made of leather that looked soft enough to melt into the ground. It spread out at the girl’s feet like an exotic pet, and Phoebe wanted to stroke its crosshatch pattern to see what it felt like. The boy leaned forward, and in the mirrored reflection he caught Phoebe’s eye. He said something to his girlfriend in Shanghainese, which Phoebe couldn’t understand, and the girl looked up at Phoebe with a sideways glance. It was something that Shanghainese girls had perfected, this method of looking at you side-on without ever turning their faces to you. It meant that they could show off their fine cheekbones and appear uninterested at the same time, and it made you feel that you were not important at all to them, not worthy even of a proper stare.

Phoebe looked away at once. Her cheeks felt hot.

Do not let other people step on you.

Sometimes Shanghai bore down on her with the weight of ten skyscrapers. The people were so haughty; their dialect was harsh to her ears. If someone talked to her in their language, she would feel attacked just by the sound of it. She had come here full of hope, but on some nights, even after she had deposited all her loathing and terror into her secret journal, she still felt that she was tumbling down, down, and there was no way up. It had been a mistake to gamble as she did.

She was not from any part of China but from a country thousands of miles to the south, and in that country she had grown up in a small town in the far northeast. It is a region that is poor and remote, so she is used to people thinking of her as inferior, even in her own country. In her small town, the way of life had not changed very much for fifty years and would probably never change. Visitors from the capital city used to call it charming, but they didn’t have to live there. It was not a place for dreams and ambition, and so Phoebe did not dream. She did what all the other young boys and girls did when they left school at sixteen: They traveled across the mountain range that cut the country in two to find work on the west coast, moving slowly southward until they reached the capital city.

Here are some of the jobs her friends took the year they left home: Trainee waiter. Assistant fake-watch stallholder. Karaoke hostess. Assembly- line worker in a semiconductor factory. Bar girl. Shampoo girl. Water-cooler deliveryman. Seafood-restaurant cleaner. (Phoebe’s first job was among those listed above, but she would rather not say which one.) Five years in these kinds of jobs—they passed so slowly.

Then she had some luck. There was a girl who’d disappeared. Everyone thought she was in trouble—she’d been hanging out with a gangster, the kind of big-city boy you couldn’t tell your small-town parents about, and everyone thought it wouldn’t be long before she was into drugs or prostitution; they were sure of it because she’d turned up with a big jade bracelet and a black eye one day. But from nowhere Phoebe received an email from this girl. She wasn’t in trouble; she was in China. She’d just decided that enough was enough and left one morning without telling her boyfriend. She’d saved enough money to go to Hong Kong, where she was a karaoke hostess for a while—she was not ashamed to say it, because everyone does it, but it was not for long—and now she was working in Shenzhen. She was a restaurant manager, a classy international place, not some dump, you know, and she was in charge of a staff of sixteen. She even had her own apartment (photo attached—small but bright and modern, with a vase of plastic roses on a glass table). Thing is, she’d met a businessman from Beijing who was going to marry her and take her up north, and she wanted to make sure everything was okay at the restaurant before she left. They always needed a good waitstaff at New World Restaurant. Just come! Don’t worry about visas. We can fix that. There were two smiley faces and a winky one at the end of the email.

Those days were so exciting, when they emailed each other several times a day. What clothes shall I bring? What is the winter weather like? What kind of shoes do I need for my uniform? Each email that arrived from China made Phoebe feel that she was one step closer to lifting herself up in the world and becoming someone successful. It made the hair salon where she was working at the time seem so small—the clients were small people who did not realize how small they were. When they said to her, Hey, Phoebe, you are not concentrating, she just laughed inside, because she knew that very soon she would be the one giving them orders and leaving them tips. She was going to experience adventures and see things that none of them could even dream about.

It took her a few weeks to get enough money together for the ticket to Hong Kong plus a bit extra to get her to Shenzhen, but from then on it was clear sailing, because she had a job lined up and she would stay with her friend for the first couple of months until she found her own place. She didn’t need all that much money; she would start making plenty once she got there, her friend assured her. From then on, anything was pos-­ sible. She could start her own business doing whatever she wanted—some former waitresses at the restaurant were already going around in chauffeur-driven cars just a year after they quit their jobs. New China was amazing, she would see for herself. No one asks too many questions; no one cares where you are from. All that counts is your ability. If you can do a job, you’re hired.

People say that it is hard to leave your life behind and that when the time comes for you to do so you will feel reluctance and longing for your home. But these are people with nice lives to leave behind. For others it is different. Leaving is a relief.

The emails continued, full of !!! marks as usual, but they were less frequent, and finally, at the Internet café near East Tsim Sha Tsui station, while waiting for the train to Shenzhen, Phoebe logged on for the first time in four days to find not a single email from her friend. Not even a short message that said, hurry, too excited, followed by lots of smileys. When at last she got to Shenzhen, it took her some time to locate the restaurant. The sign was proud and shiny. new world international restaurant, it read above twin pillars of twisted gold dragons—Phoebe recognized it from the photos her friend had sent her. The menu was still in a glass case outside, a sure sign of a classy joint. But as she approached, Phoebe’s heart began to experience a dark fluttering in her rib cage, the way she imagined bat wings would feel against her cheek. It was a sensation that would stay with her for the rest of her time in China. The glass doors were open, but the restaurant was dim even though it was the middle of the afternoon. When she stepped inside, she saw an empty space without any chairs and tables. Part of the floor had been ripped up, and on the concrete she could see messy patches of glue where the carpets had once been laid. There was a bar decorated with scenes of Chinese legends carved in bronze, cranes flying over mountains and lakes. Some workmen were shifting machinery and tools at the far end of the restaurant, and when Phoebe called out to them they seemed confused. The restaurant had closed down a few days ago; soon it would be a hot-pot chain. The people who worked there? Probably just got jobs somewhere else. No one stays in a job for long in Shenzhen, anyway.

She thought, This is not a good situation.

She tried calling her friend’s mobile phone number, but it was dead. This number is out of use, the voice told her, over and over again. Each time she dialed, it was the same. This number is out of use.

She checked how much money she had and began to look for a cheap guesthouse. The streets were clean but full of people. Everyone looked as though they were hurrying to an appointment; everyone had someplace to go. Amid the mass of people that swarmed around her like a thick, muddy river, she started to notice a certain kind of person, and soon they were the only people she really saw. Young single women. They were everywhere, rushing for the bus or marching steadfastly with steely looks on their faces, or going from shop to shop handing out their CVs, their entire lives on one sheet of paper. They were all restless, they were all moving, they were all looking for work, floating everywhere, casting out their lives to whoever would take them.

So this is how it happens. This is how I become like them, ...

Praise for Five Star Billionaire
 
“Estimable . . . artful . . . Mr. Aw is a patient writer, and an elegant one. His supple yet unshowy prose can resemble Kazuo Ishiguro’s. . . . He’s a writer to watch.”—The New York Times

“In Five Star Billionaire, the Taiwanese-born, Malaysian writer Tash Aw chooses a refreshingly novel perspective. . . . Through five distinct Malaysian-Chinese voices, Mr. Aw wonderfully expresses the grit and cosmopolitan glamour of Shanghai today. . . . Mr. Aw has done more than merely satirize a social milieu; he has created a cast of compelling characters, all of whom have come to Shanghai to remake themselves, yet are haunted by their pasts in ways that they barely understand. . . . In Five Star Billionaire, Mr. Aw has achieved something remarkable.”—The Wall Street Journal
 
“[Aw’s] ever-spiraling web of connections is as improbable as it is entertaining, but he knits his various threads with an elegance . . . coupled with a photorealistic eye for the minutiae of urban life.”—The Boston Globe

“[Five Star Billionaire] aches with grieving humanity as it follows the crisscrossing ups and downs of five migrant characters trying to make their mark on contemporary Shanghai. . . . Towering about them all is the theater of illusions that is the novel’s dominant character, Shanghai. Aw brings to its whirligig, cashed-up culture the hyperobservant eye and the sympathetic heart he displayed in The Harmony Silk Factory and Map of the Invisible World. Sometimes it seems as if he has ingested every last detail of rising Asia’s latest glossy magazines, yet never lost sight of the emptiness in the models’ eyes or the wistfulness in the lonely readers’ hearts. . . . As Aw orchestrates the overlapping of his lost souls, the story comes to acquire the mirrored complexity of its setting. No one knows who anyone is—not even themselves—and when one character reveals himself as a (real) celebrity, he’s taken to be the most shameless fake of all. And because Aw’s polyphonic structure shows us every character as they look to themselves, and as they’re seen by others, we teeter at every moment on the gap between reality and appearance. . . . As an evocation of a world in which friendships are business deals and people conduct virtual lives . . . Five Star Billionaire is hard to beat. . . . The ambition of the book perfectly reflects its subject. In one scene, we’re introduced to a ‘folk guitarist whose slangy lyrics spoke of urban migration and loneliness.’ Aw might be describing himself, except that his threnodies are set to sophisticated modern jazz.”—Pico Iyer, Time

“Goes beyond the bounds of the ordinary . . . [Aw] provides a richly drawn landscape of compelling characters, and a deep immersion in their lives. . . . Five Star Billionaire is a fiercely contemporary tale of tradition, modernity and the cost of progress.”—Ellah Allfrey, All Things Considered, NPR

“Aw has woven an impressive and contemporary human tapestry of a country that Western audiences would do well to better understand.”—The Daily Beast

“Tash Aw’s brilliant new novel focuses on four Malaysian immigrants, all determinedly on the make. . . . The unputdownable story of how these lives interconnect and touch upon the billionaire of the title, a shadowy avenging angel, is played out against the noisy, glitzy backdrop of a society on the cusp between abandoning old values and embracing a lifestyle as flashy as its neon glow.”—Daily Mail (UK)
 
“Aw is a master storyteller and Five Star Billionaire can be read as The Way We Live Now for our times. . . . [It is a story] of lives lost and found, of the transience of material success and the courage required to hope and to trust again, to forgive oneself and to believe in the possibility of love.”—The Guardian (UK)
 
“An innovative novel of the twenty-first-century immigrant experience . . . a new kind of immigrant novel.”—The Telegraph (UK)
 
“Engrossing . . . seductive.”—The Observer (UK)
 
“A must-read . . . Exciting plot twists and page-turning drama are aplenty. . . . In the end, the novel has a hopeful tone—when everything appears bleak there’s always a silver lining, and you are the only one who can take charge of your own fate.”—The Star (Malaysia)
 
“Few people can write about a place with both the astute observation of an outsider and the deep understanding of an insider. When the place is Shanghai, and when that writer is Tash Aw, we get a novel that is as multifaceted as the city itself, in which stories of the old and the new, the rich and the poor, the dreaming and the disillusioned, are woven together by a master storyteller. Tash Aw is an essential voice for the global world we live in today.”—Yiyun Li, author of Gold Boy, Emerald Girl

“A literary victory . . . Think of Aw’s third novel as an ingenious game called ‘How To Be a Billionaire.’ . . . The playing board is Shanghai, that twenty-first-century city of limitless possibility; the power broker is the epyonymous Five Star Billionaire. A quartet of players . . . are revealed one by one. . . . Aw moves fluidly between past and present, creating a multilayered narrative about chasing, catching, and sometimes losing elusive opportunities.”—Library Journal (starred review)
From the Hardcover edition.